That is about three careers' worth of bands right there, but Childish wasn't done. It covers his work writing and producing garage rock girl group Thee Headcoatees, his collaborations with Holly Golightly and Sexton Ming, and the ragged folk blues of the Chatham Singers. Like previous editions that have come out, this rounds up tracks from his punk band the Pop Rivets, beat group revivalists the Milkshakes, raw garage rockers Thee Mighty Caesars, the freakbeat-influenced Buff Medways, primitive bluebeat combo the Blackhands, and the politically charged MBE's. Every few years someone, usually Damaged Goods, updates the Childish story with a collection that brings people up to date on the various bands and sounds Childish has undertaken the one previous to Punk Rock Is Nicht Tot! - Archive from 1959: The Billy Childish Story - ended in 2009, so that leaves a lot of ground to cover here. His cock-eyed, unblinking stare at life, his devotion to the power of three chords, his rough-and-tumble recording style, and his way with a simple hook and a lyric that can lop the listener's head off with one blow. His sound may change with each project (a little anyway), but what's at the center of each one are the rough qualities that make Childish unique. Over the course of the forty plus years covered by this collection, the one and only Billy Childish has worn a multitude of musical hats and worked with enough people to fill a phone book.
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